"Johnson endlessly rearranges and resurfaces his bits of painted cardboard until they fall into a tight mosaic with uniform patina. In the best of his new collages, each cardboard fragment (about the size of a commemorative stamp) has been painted, rubbed and sanded until it appears unspeakably worn and lustrous, like a chip of antique glass, a flaky medieval illumination, an Italian candy wrapper, a rained-on sand painting, or the sunbaked output of a diarrhoetic pigeon."
- David Bourdon, 1966
Richard Feigen was an early champion of his work, holding one-man exhibitions in New York and Chicago from 1966-72, including I Shot an Arrow into the Air It Fell to Earth in the Ear of an Artist Living in Flushing, New York, A Lot of Shirley Temple Postcards and Dollar Bills. From 1968-1974, Johnson produced an ambitious body of work, received critical attention on the pages of Artforum, and was featured in several major exhibitions. In 1970, The Whitney Museum of American Art organized Ray Johnson: New York Correspondance School, which served as a major form of cultural validation for Johnson’s practice. Additionally, Johnson had several solo shows at Willard Gallery (New York) as well as Famous People’s Mother’s Potato Mashers (1973) at Galleria Schwarz (Milan) and Ray Johnson’s History of the Betty Parsons Gallery (1973) at the Betty Parsons Gallery (New York), and participated in the group exhibition Post Card Show (1971-72) at the Angela Flowers Gallery (London).